Tom Kircher

@remrelganaps You know I hadn’t considered that possibility, but now that I think about it that could also make sense. We could be seeing a different Sabrina altogether: not the brainwashed Addison who escaped the clutches of the OSDM at The End, but the actress who believes (or is being led to believe) that everything she’s doing for the OSDM is…[Read more]

“Out man of facts is now seemingly lost without the vessels’ guidance. We must ensure that she uses him for our will rather than her own.”

I’m very curious to see how this will play out. Color me intrigued.

Hi @mom2saminoc I understand exactly how you feel.

Thanks @chrysalis359

The anticipation right now is insane.

Copy that.

I’ll also do my best to make whatever meetups I can!

These are amazing, @kortneydarling I would buy the shit out of these!

“The investors want emotions” is something that really piqued my curiosity. Perhaps this is why the ODSM seems to be operating in stages (first Tension, now Lust, then Addrenaline, etc.) They’re collecting our responses to specific kinds of emotional stimuli.

@pandace88 @wanda102 Artemisia Gentileschi in particular did a rather graphic and intriguing of the slaying of Holofernes in which the Maidservant was quite active in the assassination (and was also portrayed as a young woman).

I’ve been mulling over this broadcast quite a bit since it went live and the thought I keep coming back to is this: how do we know the king is a singular or specific person? Couldn’t it be possible that the king Otis speaks of is, in fact, the ODSM itself?

He says that the king is at the top and is pretty much in control of everything, but no one…[Read more]