FB Post – 6/23

[Kortney]

Quote –
“Until the lions have their own historians, the history of the hunt will always glorify the hunter.” – Chinua Achebe

Original Painting –

Idleness
By John William Godward, 1900 Oil on canvas.

One of the foremost British painters of classical genre themes in the 19th century, John William Godward painted the current work, Idleness, at the height of his career. Returning to a theme that he had treated in his 1891 work entitled Playtime, that of a girl teasing a kitten with a peacock feather, Godward paints a work impressive in its smooth, cool finish and intimate in its effect. While the earlier painting was a multi-figure composition, set in lush gardens on a terrace, here Godward reduces the composition to a single young woman on a marble bench and her kitten. The girl, dressed in a fine yellow dress and violet sash, has a look of quiet contentment as she trails the end of a peacock feather across the ground, playing with a soft, striped kitten. Every detail and surface, from he thin folds of her dress, her wavy, black hair, the gold bracelet around her wrist to the colorful strands of the feather and silky coat of the kitten, are painted in meticulous detail with a clean finish that obscures all brushstroke or mark of the artist. The model for the work was one of Godward’s primary Italian models, appearing in numerous paintings from the late 1890s and early 1900s. She leans back against the cool marble and gazes at the fluffy creature. Behind her stretches a pale blue stretch of Mediterranean, with an island obscured by white atmosphere in the distance. The peaceful, intimate tone of the work reflects the artist’s renowned quiet, retiring personality, and Vern Swanson, expert on the painter, refers to it as “one of the most effective of his oils.”

The work was painted in 1900 at a time when Godward was earning recognition as one of the most significant painters of classical genre subjects. A regular exhibitor at the Exhibitions of the Royal Academy and the Institute of Painters in Oil Color, as well as a participant at the Paris Salon of the previous year, Godward was secure enough in his position to gradually begin to withdraw from public exhibitions. The painter preferred to work with his long-standing London dealer, Messrs. Thomas M. McLean, sending works to him for exhibition, reproduction in engraving, and sale. The present work was sent to McLean in about November of 1900 and sold later the same monthmber of 1900 and sold later the same month

[Sage]

Us poor kittens, we jump and bat at eveything put in front of us.

[Brad Ruwe]

Until we grow into lions and rip the distractions to shreds….

[Cristen]

The quote is from an interview with Chinua Achebe (most famous for writing Things Fall Apart)

“Then I grew older and began to read about adventures in which I didn’t know that I was supposed to be on the side of those savages who were encountered by the good white man. I instinctively took sides with the white people. They were fine! They were excellent. They were intelligent. The others were not . . . they were stupid and ugly. That was the way I was introduced to the danger of not having your own stories. There is that great proverb—that until the lions have their own historians, the history of the hunt will always glorify the hunter. That did not come to me until much later. Once I realized that, I had to be a writer. I had to be that historian. It’s not one man’s job. It’s not one person’s job. But it is something we have to do, so that the story of the hunt will also reflect the agony, the travail—the bravery, even, of the lions.

It’s the context of history being written by the victors, the author controlling the narrative. The Creators controlling the interpretation of their creation.

[Author]

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